Quiet Beachside in Pt Leo

Totally relaxed, unhurried and stress-free, embrace quiet coastal living with this light-filled home just an easy walk from the beach, surf lifesaving club, boat club and general store. Set on 1 acre of lush rolling lawns and landscaped gardens that regularly play host to the local koalas, this is the ultimate sea change with the sounds of the waves in the background.

Wild Man comes to McClelland

Ron Mueck's hyperreal sculptures replicate the human figure in minute detail, with a haunting accuracy designed to challenges the viewer’s perception of reality. Despite their apparent truthfulness to life, Mueck’s figures are not life-size, rather their gargantuan or miniature dimensions accentuate an ambiguous relationship between expectations, visual perception and accepted truths. Theyare imbued with psychological traits, such as vulnerability or physical exhaustion, to elicit empathy between the viewer and the subject.

Red Hill Wrought Iron

In the quiet hinterland of Red Hill, where the beauty of nature meets the artistry of craftsmanship, you’ll find Red Hill Wrought Iron - a haven where the ancient art of blacksmithing is not just preserved but celebrated. Here, under the skilled artisanal hands of Ian Camburn, wrought iron transforms from raw material into stunning custom pieces that adorn homes and gardens across the Mornington Peninsula and beyond.

Grand Tour One

Our Grand Tour One is a meandering journey through the Mornington Peninsula that takes you through the hinterland to the rugged south west with a main break at the Peninsula Hot Springs where you will leave feeling relaxed, rejuvenated and ready to soak up some iconic roads and fresh experiences as you journey homeward.

Wild Man comes to McClelland

Ron Mueck's hyperreal sculptures replicate the human figure in minute detail, with a haunting accuracy designed to challenges the viewer’s perception of reality. Despite their apparent truthfulness to life, Mueck’s figures are not life-size, rather their gargantuan or miniature dimensions accentuate an ambiguous relationship between expectations, visual perception and accepted truths. Theyare imbued with psychological traits, such as vulnerability or physical exhaustion, to elicit empathy between the viewer and the subject. Their poses are not classical or 'frozen in time’ but reflect a condition of stasis or inertia – an emotional state of introspection, melancholy, and sometime a paralysing anxiety.